Chaconnes et Passacailles de l’ancien et du nouveau monde
Jacaras Ciaccona passegiata per B Ciacona Chiaconna in Parte variate alla vera Spagnuola Allemanda quarta Corrente detta la savellina Sarabanda sesta Corrente airosa Giga Pasacaglia del D Ciaccona Passegiate Per A Toccata Passacaglia	A. de Santa Cruz (Madrid, 17e s) Antonio Carbonchi (Firenze, 1643) Giovanni Paolo Foscarini (1640) Domenico Pellegrini (Bologna, 1650) Domenico Pellegrini (Bologna, 1650) Anonyme (Madrid, 1705) Antonio Carbonchi (Firenze, 1643) Giovanni Battista Granata (Bologna, 1659)
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Ouverture Chaconne Passacaille The Birks of Endermay Hooly & Fairly Hail a ma frae me Donald O’er the Hills & far away Johnnie Fae Port Patrick Preludio por la E/Allegro Allegro/Grave/Allegro Los Impossibles Guastala Paracumbe Guineo Canarios tamborilados	Anonyme (Manuscrit Hertzberg, Oslo 1750) Robert Bremner (Edinburg, 1758) Santiago de Murcia (Passacalles, 1732) Santiago de Murcia (C. Saldivar, Mexico 1732) Anonyme (Manuscrito 1560, Mexico) Anonyme (Madrid, 1705)
5 course baroque guitar built by Michael Schreiner (Toronto 1996)
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LE CYGNE D’ARGENT: musique pour harpe baroque
Toccata arpeggiata	Johannes Hieronymus Kapsberger (c. 1580–1651)
Toccata seconda, & ligature per l'Arpa Partite sopra Folia Todesca	Giovanni Maria Trabaci (c. 1575–1647) Girolamo Frescobaldi (1583–1643) Giovanni Picchi (c. 1571–1643)
Partite sopra Ciaccona Cassandra Toccata Ritornello from L'Orfeo Amarilli, mia bella	Girolamo Frescobaldi Pietro Paolo Raimondo (died 1647) Anonymous, Chigi MS (17th century) Claudio Monteverdi (1567–1643) Giulio Caccini (1551–1618)
Fantasia que contrahaze la harpa,    en la manera de Ludovico Fantasia X and XI Folias and Espanoletas, from Luz y norte	Alonso Mudarra (c. 1510–1580) Luis de Milán (c. 1500–c. 1561) Lucas Ruiz de Ribayaz (born c. 1650)
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Three traditional Irish pieces:      Prelude: "Try if it be in tune"      Scott's Lamentation      Ellen a Roone Carolan's Farewell Carolan's Concerto (Mrs. Power)	Transcribed from performances    by Dennis Hempson at the    Belfast Harp Festival, 1792 Turlough O'Carolan (1670–1738) Turlough O'Carolan
The Silver Swan Lachrimae Come again! sweet love	Orlando Gibbons (1583–1625) John Dowland (1563–1626) John Dowland
Prelude in C Les barricades mystérieuses	Johann Sebastian Bach (1685–1750) François Couperin (1668–1733)
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PROGRAMME
Thomas Tomkins (1572-1656) : John Coperario (1570?-1626) : Matthew Locke (1622-1677) :	A Sad Pavan - for these distracted times Mourning Song VII Foe of Mankind The Lord hear thee in the day of trouble
Simon Ives (1600-1662) Robert Ramsey (?-1644) John Milton (1563?-1647)	Fantasia in D In guilty night If that a sinner's sighs
Pelham Humfrey (1647?-1674) Henry Purcell (1659?-1695) John Blow (1649-1708)	O Lord my God Fantasia: Three Parts on a Ground I said in the cutting off of my days
John Blow William Croft (1678-1727)	Chaconne in F The Lord is my Ligh
INTERVALL - ENTRACTE
Henry Purcell	I will give thanks unto Thee, o Lord
Godfrey Finger (1660?-1730) Martin Peerson (1572?-1651) Godfrey Finger Henry Purcell Godfrey Finger	Adagio-Allegro from Sonata in Bb O let me at Thy Footstool fall Grave-Allegro from Sonata in F Let mine eyes run down with tears Adagio-Presto from Sonata in F
John Jenkins (1592-1678) Henry Purcell Timolphus Thopull (?) [Thomas/Theophilus Lupo (1571-1627/?-1650)]	Fantasia in G In guilty night O Lord come pity my complaint
Matthew Locke John Coperario	Fantasia in G Funeral Tears VII O poor distracted world
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